A Great Movie Title.
I love monster movies, but I have never heard a monster movie with as great a title as this one.
Featured Album | |||||||||
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Featured Track | |||||||||
Start The Machine | |||||||||
The Track Listing | |
1. Valkyrie Missle 2. Distraction 3. Do It for Me Now 4. Adventure 5. Little's Enough | 6. The War 7. The Gift 8. It Hurts 9. Good Day 10. Start the Machine |
The Back Story |
Last year, Blink 182 officially went on hiatus, giving birth to two new bands: Plus 44, made up of Mark Hoppus (bassist) and Travis Barker (drummer), and Angels & Airwaves, formed by Tom DeLonge + friends. Only one track has been released to the public from Plus 44 and it is very underwhelming. A&A, on the other hand, are about to release their debut album next tuesday having had an incredible teaser site over the last few months with a blockbuster-esque album trailer and a music video and single released already. It’s obvious Tom has a lot more initiative when it comes to creating music. He and Travis even formed a band, Boxcar Racer, a few years ago, creating a very popular and solid album. I’m well aware how obvious it is that I downloaded this album ahead of schedule; however, I like it so much that I’ll definitely be picking it up at HMV after it’s released next week. I recommend you do the same. |
The Album |
This album is better than every Blink 182 album. It is better than Boxcar Racer’s single album. Each track on this album is twice as good as Plus 44’s single released song. This is Tom DeLonge’s greatest musical achievement since the Dammit riff. The album has this intensely epic undertone throughout every song. Part of the reason for this is the way the songs all begin with long, mellow, and eerily profound intros that lead up into equally moody verses. The songs also don’t seem to fall into the habit that so many bands have where the choruses completely overpower the much more interesting and quieter verses; this gives the album a very mature and somewhat-tense sound. The epic sound can also be attributed to the military-esque percussion; the backbone of the entire album. The one thing you will notice after listening to the entire album start-to-finish, is that there is no obvious single or slow song. Each song seems to keep up a similar pace as the last, never forgetting that it is part of a whole; a story. This album definitely seems to be somewhat of a Rock Play. If I did not spend too much time looking at endless images of and reading forum threads about the new MacBook, I would put more time into finding out exactly what journey this album takes us on. The overall sound, though very unique, is not a surprising one. It has many similarities with the Tom-driven songs of Blink 182’s last album as well as the Boxcar Racer album. This sound is, like I’ve said, very solid, mature, and deep. This is not some radio-punk album, though you can bet you will hear these guys on the radio. If it weren’t for a few songs that I felt sounded a little too much like filler tracks, I would have given this album five full heart containers. |
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Featured Track | |||||||||
Better Off, This Way | |||||||||
The Track Listing |
1. Better Off, This Way 2. Anesthetic Parade 3. Nation, Forgive Us 4. Parody At The Masquerade 5. Soap Opera |
The Back Story |
A few years ago, I was on purevolume.com when I stumbled across a band called “The Fury”. They had a very unique and incredibly upbeat and child-like quality about them. I bookmarked them and would listen to them every now and then. Last year I decided to check out their purevolume page again and noticed it redirected me to a band called “We Are The Fury” - their new name. However, it wasn’t just their name that had changed; their discography changed as well: they now had an EP on the horizon: "Infinite Jest". Over the following months, leading up to the EP’s release, I became more and more excited about this CD as they slowly added a few of the songs from it to their purevolume page. Finally it was released and to my dismay, it only included five songs. I could not bring myself to spend ten or so dollars (plus shipping, as these guys would not be setting foot in a Canadian record store for quite some time) on such a small number of songs. So I not to support both Amazon and We Are The Fury and basically forgot about them entirely. Then a friend of mine from one of my classes told me about this “place” where he could download “any album ever”. For some reason We Are The Fury popped into my head, so I asked him if he could download their EP for me; he could; he did; I got them. |
The Album |
When creating a band profile in purevolume, you are able to define your sound by specifying up to three genres of music you most closely coincide with. We Are The Fury chose Rock, Indie, and Alternative; I would have chosen Pop, Rock, and Indie. If I didn’t feature a song for you guys to listen to, I would describe these guys as being similar to bands like Hot Hot Heat, Ok Go, and Ima Robot. The most prominent similarity between these bands is the lead singers voice, which I find hard to describe in words (another upside to having a song accompany the review). I will, however, try my best by listing a series of adjectives that best describe the lead singer’s voice: youthful, somewhat-flamboyant (not in the lispy-faggy sense), feminine, high, tight, painful (not painful to listen to; he literally sounds like he could be in some kind of pain), somewhat-lazy, and distressful. This is an upbeat EP with nary a slow song; this is the kind of music you listen to if you want to convince a girl that your cool, not the kind you’d woo her with. It stars off with “Better Off, This Way”, the most upbeat song of them all. It begins with a deliciously bouncy/punchy intro (that ends up being the verses) that doesn’t waste any time introducing us to the whole band. The verse leads up into an unsurprisingly louder chorus that finishes with the quieter lyrics, “maybe it’s better off this way”. Naturally, we get a break-down after the second chorus that slowly builds up into the final forty seconds of chorus, ending quite abruptly. If they release (if they already haven’t) a single, this would be it. The second song begins with some muted lyrics and some sort of shaker that quickly lead up to a much louder and almost chorus-like verse. The volume then drops a little before quickly rising again for a typical basic-guitar and strained-voice combo chorus. The chorus falls into this singer + piano verse that is overwhelmed by the second and final chorus of the song; both the first and second songs are under three minutes. “Nation, Forgive Us” is the third song (middle song) and is my least favourite of the five. It begins with a bit o’ drums that are lead into the first verse with the bassist. Soon enough, Mr. Lyrics joins in, spitting out “You wanna talk about indecision?”. The verse eventually breaks down into what sounds like the pre-chorus, however, it takes us right back to another verse. Don’t worry though, the second pre-chorus leads into an overall louder chorus featuring an angrier twist on the lead singer’s voice. A very quiet and muted breakdown follows that leads again into the chorus that fades to black. The next song is substantially more mellow and less frantic. The verses feature some creatively whiny guitar solos over some periodic opening of the high-hat. Like the first song, the musicians resort to some basic guitar and piano work overshadowed by the lead singer’s friendly vocal track during the choruses. However, unlike the first song, this one ends the song with a wee bit of a guitar solo. The final song starts with the lead singer singing “I was a ghost from outer space” over a jumpy piano that swiftly feeds into the “official” verse. We then get a quick break-down right before the angriest and most complicated sounding chorus from the whole EP, which is ironic since the song’s basically about a guy proclaiming his loving and lustful feelings for some girl. VERSE. CHORUS. Then a drawn out instrumental part that lets the lead singer join in right before the third chorus. The song then begins its descent, lead by a small choir humming all the way to the end. |
The Final Impressions |
I decided to push the individual song reviews into the overall review as the EP was so short. The EP is very solid and has the band defining itself all the way through. Though these guys do not offer anything completely new to the scene, they separate themselves enough from the rest of the bands out there and create a fairly unique sound. However, if it weren’t for their vocalist, we would be left with some moderately talented musicians producing some been-there-done-that sounds, definitely not worth five full heart containers from yours truly. Fortunately, the vocalist can make or break a band, and the lead vocalist for these guys certainly makes this band what it is, hence my kind rating. |